No 3: BRAIN DEAD TOTE 3819SUNSETBLVD, LOSANGELES, CA90026

PHOTO PROVIDED BY JULIE AUERBACH

LUCIA AUERBACH

today I am on the subway with a white tote bag that has now gone beige.

 

the seats are orange and reek of bleach

 

[sometimes I think if I burn my skin

with enough chemicals I’ll have the

glow of commercial, undeniable

beauty and success]

 

in my childhood home hung a photo of my mother

grasping her bass guitar with a neck brace on.

now she has a scar under her back piece tattoo

of my family personified as fish—maybe we’ve always

had back problems. but she’s told me time and time

again that I should switch to backpacks and not these

totes so I don’t suffer from her own fatebutlittle

doessheknowIhaveworkedmypsychetotheground

toevenbeabletoresembletheraw, wild femininity

she has displayed.

 

I throw my tote on the floor of the subway.

 

I make sure I dump everything.

[I couldn’t get out of my bed this

morning because my floor was so

crowded. my feet refused to take

up the shoes’ room]

the tote bag spills onto the floor

but it’s 6 am and no one joined me in this car.

 

the tote bag spills onto the floor.

and I prayed for a cacophony

of sound to make my contents

feel more physical.

they are physical, yes I know,

but I would like the validation of

sound to confirm its existence.

 

the cacophony sounds like a miniature crash and it’s not beautiful at all.

 

the tote bag spills onto the floor.

 

I blinked and missed the cinematic display of everything that I carry in my tote falling in slow motion onto the bleached floor.

 

 

[did I mention that I wish

I could burn my skin so all

the acne would go away?]

CONTENTS:

·      A penny I found face up outside my dorm—it didn’t give me any good luck the day I found it, but I kept it anyway.

·      A bottle’s worth of loose Midol. My cramps got worse a few years ago when I decided to protect myself from his sperm.

·      Slaughterhouse Five by Kurt Vonnegut; page 156 is bookmarked and now the angel is tattooed on my knee.

·      Pepper spray disguised as a long, fat tube of lipstick.

 

[need I explain? I grew up in the US]

 

·      Air pods I named DHONKA HARDWARE after the sticker it bears. I don’t wear them anymore. I blew out the speakers like the ones in my car;

 

[I tried to drive away from there and

drown out the noise in the process.

for a week I thought a truck was

following me every time I went to

Charles’ house. there was no truck,

only the fear of escaping his grasp]

 

·      Suavina chap stick. The only materialization of a Spanish identity I’ve yet to form.

·      Dior Maximizing lip gloss that I steal a tube from every time I see my mom because I don’t want to inject plastic into my lips anymore.

·      Go macro bars and their wrappers.

·      A post it note with lyrics from a Ricky Eat Acid song;

if I cleaned

everything

would you

come back?

·      A post card I lied to my ex-boyfriend about sending.

·      My small light pink Leuchtturm1917 notebook that I thought would make me sound smarter if I wrote down the words I didn’t know [SEE ATTACHED:

misdiagnosed dyslexia].

 

·      A book entitled The Argonauts that I wrote on several pages asking the margins: what can I claim as scripture?

§  not that I read Maggie Nelson as a biblical author, but who decides what I can claim as scripture?

I should pick these up now.

 

I should get off at the next stop.

 

I should lurch my head out of the water now. I’ve been trying to drown my art in it. I would like to take a breath of air that doesn’t subsist on words and literature. my words do not exist as entities of myself but only as facets of an imagination I sometimes like to commodify.

 

Previous
Previous

No 2: WILLIAMS*

Next
Next

No 4: POSTCARD FOR FUTURE ME